Your Heart in Your Work
As the number of auditions we go to builds and builds, we may start to be influenced by our 'audition acting' habits. In auditions, we start like a runner on the starting line, we get ready and we go. Rolling, act! We try to 'nail it' from the start to the finish. When we're done, we have to submit the tape asap, or if we auditioned at a CD office, we say goodbye and drive away. Did you do our best work? Did it feel better when you rehearsed it? Did you bring your creative potential to the taping? In class we can redirect our focus, our concentration and our energy so that we fill in the work and continue to explore the creative process for the every setting, including auditions. We explore what the scene needs, and how we work and how best to serve it. We can take our time to breathe, to stay connected. We like to have a class that is "practical." A class that tightens our auditioning tools. And we do need to attend to that. We do. But there is ...